Playwriting with Kaela Mei-Shing Garvin
I might need a new playwriting origin story. For years now I’ve been regurgitating the same tale: in my undergraduate education, I was tasked with
I might need a new playwriting origin story. For years now I’ve been regurgitating the same tale: in my undergraduate education, I was tasked with
I’m delighted to be teaching Solo Performance at Freehold this spring. I’ve been at this professionally for over 30 years and I still marvel at
IN-PERSON CLASSES* Step II, Section I: Acting with Text with Meg McLynn 3/30 – 6/1 Wednesdays, 6:00 PM – 10:00 PM Step III: Basic Scene
Artist residencies provide both freedom and restriction: having a physical space separate from one’s own to create art opens the door for creativity and experimentation,
In 2022, Freehold Theatre Lab/Studio is resurrecting programs of old and expanding into new horizons. Between reinstating our Studio Series, which has been intermittent over
My first introduction to Shakespeare was in junior high school reading Romeo & Juliet. My memories of it were that it was dry, kind of
In which playwriting instructor Elizabeth Heffron magically transforms herself from interviewer to interviewee to discuss the New Play Lab. So, Elizabeth, how can the New
IN-PERSON CLASSES* Meisner II: Instrument with Robin Lynn Smith 1/4 – 3/20 Sundays and Tuesdays, 5:30 PM – 10:30 PM Stage Combat: Longsword with Geof
This will be the first time Freehold Theatre has hosted a class specifically for Black, Indigenous, Brown and Asian participants (BBIA) and I am very
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